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Film Review: Killers of the Flower Moon (2023)

“Can you find the wolves in this picture?”  It seems to me that Martin Scorsese has reached a certain point of liberation in his career. His undeniable status as one of the most significant and influential American filmmakers ever is evident even on a quantitative level: 25 (prior) feature films, 16 documentary films, countless awards,…

Film Review: Bottoms (2023)

Adding to the ever-growing movement of maximalism in modern cinema, the sophomore feature effort from Emma Seligman stands out not as a wholly unique piece of work, but rather as a fresh compilation of evident influences… boldly drawing as much inspiration from Fight Club as it does from Scott Pilgrim as it does from Not…

Film Review: Past Lives (2023)

As the debut feature from Korean-Canadian director Celine Song, it’s not entirely unheard of that Past Lives should serve as a semi-autobiographical account of Song’s own life. Serving as something of a sprawling quasi-coming-of-age story, the film follows its protagonist Na Young (Greta Lee) throughout three distinct points in her life, the through-line of which…

Film Review: Sound of Freedom (2023)

One tries, when approaching a film – or any piece of art for that matter – to judge it in as unbiased a fashion as possible, removed from any influences surrounding promotion, production, and especially the cast and crew; “judge the art, not the artist,” as they say. In the case of Sound of Freedom,…

Film Review: Talk to Me (2023)

I don’t think it’s entirely unreasonable to suggest some of the most talented artistic individuals working today are those exclusively doing so by means of social media. Of course, it goes without saying that the logistics surrounding the creation of a 30-second video remain a far cry from that of a feature film, and yet…

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